I arrived at the Kings Head a little dubious as my knowledge of Freud is limited to a fleeting acquaintance over 15 years ago as part of a Drama degree, and the thought of following a one-woman musical on this historical figure felt like quite a challenge!
The show gets off to a slow start with a strangely long overture that would be more suited to a full scale musical rather than a fringe style show. Things don’t really get going until the stand out song ‘Cocaine’ which introduces the audience to Freud’s addiction, obsession and psychopathic tendencies. This is a fantastic song, which the audience really gets on board with. The story starts to gain momentum and the audience is carried along by the fearless enthusiasm of Sutton-Williams with some lovely moments of light and shade creating some big laughs.
#tweetingit – 4**** A pitch perfect performance
A charming, kooky and hilarious 1950s musical comedy, Little Shop of Horrors tells the story of Seymour, the assistant at Mushnik’s FlowerShop in Skid Row, New York, who becomes an overnight sensation when he discovers a strange and exotic plant. One of the first ‘musical movies’ I watched as a child, this rendition does everything and more to entertain!
The Ovalhouse has been a part of the London theatre scene for over 50 years, and is patronised by people such as Pierce Brosnan. But with shows like Sister being being performed here, it doesn’t need the famous names to draw people in.
Sister is the new play by Born Mad, a theatre company led by director Rebecca Hanbury and composer Alex Groves and unsurprisingly, there is a strong audio focus in the production. Lines are often echoed throughout, and the scene are represented as if the actresses are being recorded at the time; it encapsulates the spirit of the lines and stories being used and adds a fluidity to proceedings.
A stone’s throw from Turnham Green tube is the charming Tabard pub, with William Morris inspired interior and a cozy fairy-lit garden, providing a lovely spot for a gin and tonic, and to see two seasoned performers offer an emotionally charged evening – hopes were high! The intimate studio theatre perched above the pub seats just 75, the audience is greeted with an impressive set, a near exact replica of a domestic interior, expertly designed by Michael Leopold.
#Tweetingit – 4*Three best friends sharing the highs and lows from High School cheerleaders through to middle age; a total blast!
Any show with ‘The Musical’ in its title was obviously preceded by a straight play or book. The task for any musical adaptation is to retain the essence of the story and do justice to its characters. Vanities – The Musical is one such example, but annoyingly the original play was never staged in London, so we are left to wonder how faithful it was to the original play. It tells the story of three girls growing into adults from High School through to middle age; Kathy, the bossy one, Mary, the flirty one and Joanne, the flaky one.
#Tweetingit – 4**** Cross dressing, rapping characters set Shakespeare in a whole new light. The Bard would have approved!
A short walk from Tottenham Court Road tube station, I easily found the Phoenix Artists Club tucked quite logically beneath the Phoenix Theatre. It immediately had the feel of a cosy, after hours private drinking club. A long straight bar is decorated with signed photographs of various performers, who have no doubt dropped in for a swift half over the years. Obscured by a black velvet curtain, I was convinced the performance area would be no bigger that a postage stamp. The venue grew crowded and increasingly stuffy as the start time approached. Once inside, the audience struggled to get comfortable; some people had obviously been shopping, while another couple insisted on bringing their foldaway bikes in with them. However, we all got comfortable and a highly entertaining show started at 6pm.